This week’s episode focused on the kidnapping of the daughters of an American ambassador to the Philippines (Kyle Secor) and uncovering a “white slavery” ring. Although I didn’t feel it was the best, bright spots included Masi Oka (Heroes) guest starring as the genius Medical Examiner Max Bergman, Chin Ho’s two line appearance, and the Danno-McGarrett bromance.
Hawaii 5-0 has multiple fail-safes for “meh” episodes. Between the writing, the charismatic cast, the strong production values, and engaging cinematography, if the writing’s off, you know the actors, etc. will keep the show running. But this week, with Chin Ho and Kona even farther off the script, an unnecessary girlfriend-little sister cat fight (unrelated to the plot or main characters), and a low energy opening, the show basically relied on Danno and McGarrett’s “bromationship.”
Considering Hawaii 5-0 had three strong episodes right out the gate, watching the show slowly taper off is slightly unexpected. With the show’s developers Peter M. Lenkov, Alex Kurtzman, and Roberto Orci sharing writing credits on the pilot’s story (and all subsequent episodes); Sarah Goldfinger and Paul Zbyszewski primarily writing “Ohana”; and Carol Barbee and Kyle Harimoto mainly penning “Malama Ka Aina,” the show maintained consistency throughout. Ironically, “Lanakila,” with Lenkov, Kurtzman, and Orci typing, went slightly off the fabulous path, but this week’s episode, “Nalowale,” veered off even more.
Examples? I didn’t see that much Mr. Science/Sherlock Holmes awareness this week. The sister’s dialogue remains too one-dimensionally unrealistic. Describing your future plans of competing with your brothers sexual partners? Creepy. Finding pictures of dead bodies in a house shared by two obsessive cops then calling your anti-terrorist taskforce brother while he’s on the job, rather than waiting to figure out if he’s a psychopath? Understandable, yet childish. Walking to the next room to find batteries, but not to the TV to change the channel? Human laziness knows no bounds, but my patience with her character does.
The good spots included Chin Ho’s subtle aggression with the security consultant, Grace Park’s coming alive when playing the undercover party girl character, Kona getting the job done without McGarrett’s usual interrogation style, Caan’s various cane lounging poses, and Masi as the quirky genius (without fully breaking out into Hiro). The old standby of the Danno and McGarrett Odd Couple featuring the two fighting over Ms. Pacman’s triple pretzel level, showed a lot about the writers and the characters. I didn’t even know the triple pretzel level existed. And, football jock McGarrett was a Ms. Pacman geek? Awesome. What’d you guys think of McGarrett’s play of the week? While I wish every state had a crime-fighting GPS center, I expected someone slightly more intense.
Quotes:
“You got into some Barry White last night.” – Danno
“Book him, Danno.” – McGarrett
“You know. I got to be honest. I didn’t mind that one.”- Danno
“You could’ve told us this on the phone.” – McGarrett
“I don’t trust phones.” – Max, the medical examiner
“Yeah, it’s called the internet. People have been doing it since the ’90s.”- Danno (in response to McGarrett’s compliment on his search abilities)
You know, I’ve not found the same magic from the pilot in any of the episodes that followed. Using the pilot as my gauge, I expected it to be must see TV. Turns out nothing on Monday’s at 10 fills that role for me. Danno and McGarrett are the show for me…and there are too many moments without them. Meh.
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“Ohana” and “Malama” were my favorites after the pilot, because they balanced the use of Chin Ho and Kona. But, the last couple episodes definitely went down –
I agree with the post… not the best episode but watched it all the way through because it was cool to see all the actors from the sci-fi shows I have watched… Heroes, 4400, Lost, BSG, Moonlight… not to mention the other shows I like… SOA and Glee. I love Masi Oka so that made the whole hour for me. It would be cool if he was a re-occuring character.
*POST AUTHOR*
I definitely hope they bring Masi’s rocking quirkiness back again.
I’ve seen a couple episodes of this, and its the same derivative crap CSI Miami is. But it’ll continue to do well for the same reasons, because the scenery (and actors) looks gorgeous in HD and anyone with half a brain you can figure out who the killer is in the first 20 min, and for the majority of people without a brain, it’ll come as a nice surprise with a big action scene at exactly 52 minutes in.
If McGarrett didn’t want his sister to look in his tool box, then why leave it available like that? If I want something to be private, I keep it out of sight. I liked how Kona outwitted that lady to get the information.
OK. Clearly, I have a dirty mind. When you wrote “If McGarrett didn’t want his sister to look in his tool box, then why leave it available like that” I giggled a little.
However, I can excuse McGarrett by stating he probably didn’t think about it. Plus, if my brother has a toolbox which he has placed in his study under a table and closed both clasps, that typically signals ‘stay away.’
McGarrett is the one who said that last line you’re quoting, btw. Danno is apparently a bit nervous about the internet, which is funny. And I like the quirky sister. Also funny. I actually really like the show. The whole thing is funny. And true, the bromance is the primary engine for it, although McGarrett’s stunts are also pretty cool. I think they should make an entire episode where they lock McGarrett and Danno up together somewhere and just let them at one another.
You’re right that the enjoyable bromance serves as the show’s strongest lynchpin. Recently, they’ve spent more time developing that connection without augmenting the supporting characters/story-line. Moonlight had a great relationship between Dohring and O’Loughlin. My biggest fear is that CBS will start to hinge the show on the chemistry of the two leads and let H5-0 go the way of O’Loughlin’s earlier shows. But, I have no doubt, we’ll eventually have a bank/prison-shut-in with a McGarrett-Danno free-for-all.
Regarding the quotation, I do believe that originated with Danno during their Pacman tete a tete, but I can verify. I’m never above eating crow ;)
The ‘catfight’ was necessary: (1) important to introduce male heterosexual credentials for the lead (e.g., ‘OMG’ reference), but also (2) the developing backstory of Dad’s toolbox, which Sis is beginning to explore on her own.